Twenty-fourth Carpet Exhibition 1394 to be held in September on the first until seven.

The Public Relations Department of Iran's National Carpet Center;It announced the recruitment of graduates to support entrepreneurs in the field of carpet, for people who are engaged in one of the professions associated with carpet production
Good entrepreneurship and employment have launched successful businesses in the exhibition booth carpet Tehran to free transfers.Applicants may be asked to show documents,( Iran's National Carpet Center production) Saadat Abad, lower than the kaj Street kiyan (13), No. 15,   posted or Email This email address is being protected from spambots. You need JavaScript enabled to view it. send.

Twenty-fourth Carpet Exhibition 1394 to be held in September on the first until seven.

The Public Relations Department of Iran's National Carpet Center;It announced the recruitment of graduates to support entrepreneurs in the field of carpet, for people who are engaged in one of the professions associated with carpet production
Good entrepreneurship and employment have launched successful businesses in the exhibition booth carpet Tehran to free transfers.Applicants may be asked to show documents,( Iran's National Carpet Center production) Saadat Abad, lower than the kaj Street kiyan (13), No. 15,   posted or Email This email address is being protected from spambots. You need JavaScript enabled to view it. send.

Twenty-fourth Carpet Exhibition 1394 to be held in September on the first until seven.

The Public Relations Department of Iran's National Carpet Center;It announced the recruitment of graduates to support entrepreneurs in the field of carpet, for people who are engaged in one of the professions associated with carpet production
Good entrepreneurship and employment have launched successful businesses in the exhibition booth carpet Tehran to free transfers.Applicants may be asked to show documents,( Iran's National Carpet Center production) Saadat Abad, lower than the kaj Street kiyan (13), No. 15,   posted or Email This email address is being protected from spambots. You need JavaScript enabled to view it. send.

  Hooman Atiyabi the Iranian international movie producer tells us about his experience regarding making movie called “Flying Carpet” in London, Freud museum. 

  This is a film about Iranian carpets travel to Europe in the pass of time, but why you will find a location like Freud house, he was a famous psychologist, so it seems there was no link between Art and psychology, and at the following passage you can see the reason of existence this scene in this movie.

  Entering to Freud hose is like joining to a party from the heart of history, the guests are belonging to various era of human civilization, you see books, statues, symbols and other type of human hand made craft from many of nations, furniture design is so simple and indicate the aesthetics sense of owner and has a good harmony together, but Iranian carpet was so interesting and unique, the Qashqai rug was laying on the patient special and famous sofa of Freud, he was using this carpet for healing.

  Based on Freud theory, he believed to Mother Nature and linked some special features to it; one of them was the energy of Mother Nature, who is in interconnection with the energy of human psyche, and this type of energy is cause of much type humanity action and face of personality, so Mother Nature energy is very important with strong effects, Iranian carpet is completely natural, all cotton are from the sheep, all color are herbal, viewers are from tribes who live in fields and mountains, all motifs came from a nation culture and history, and finally in sight of Freud, Iranian carpet is a complete model of Mother Nature in present time with all its hidden and apparent energy, he believed this type of energy would came out from the carpet and transfer to patient body and cause the deeps psyche layers go to the higher levels and in another way, this type of power will help to shifting from unconscious to conscious.

  After finishing the film, I can’t forget the Freud theory, and always I think, we can find pure feeling and eternity in every knot of Persian Carpet, laying on the Iranian Carpet can carry you to the deepest sense of human being in history of life.

  Hooman Atiyabi

  London, 2008

Before \ talking about the variety of the design, it is opportune to mention that all the designs can basically be categorised into three principal groups. All the motifs
and figures which constituted the design are made from composition, contact, rotation and
balance of the lines.
If the lines along their route make angles the design is in geometrical style. But if the lines in their course don't make angles, the design will be classified in the curvilinear group. Should the lines of the design in some part of their route make angles and in others make roundish movements the design belongs to the stylised group. Most Persian carpets are decorated with medallion,(Toranj), and corners.
The medallion is always located in the centre of the Layout and the shape may be round, oval, rhomboid or radial of different sizes which varies according to the taste and custom of the weavers. Instead of a single medallion we may find two or three medallions on the central line of the carpet. Usually on the top and bottom of medallion there are two pendants, (Sartoranj). One fourth of the medallion shape or something of a similar form when repeated in the corners of the field is named corner Lachack. All Persian designs are categorised in two main groups.
Tribal carpets are small in size, woven in a very short period of 3 0 4 months and in the form of a rug and runner.